It’s HA-vier, Not EX-avier
The process of revising my one-woman show for a run this fall at the San Francisco Marsh Theater is both exciting and challenging. (I'll announce dates as soon as they get finalized). It’s hard to let go of a scene or even a small part of a scene; I do become attached to my lines. Still, as I put the material on its feet and rehearse with my director, I can feel when something no longer works. I look at her and she looks at me. “But I really like this, Rebecca, and it’s impor